ISAMU NOGUCHI

‘LUNAR VOYAGE’, ILLUMINATED WALL SCULPTURE FOR THE STAIRWELL OF THE S.S. ARGENTINA, 1948 

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SKIDMORE & OWINGS WITH JOHN MOSS

VENEZUELA BUILDING AT NEW YORK WORLD’S FAIR WITH A CEILING FRESCO BY LUIS LOPEZ MENDEZ, 1939-40

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RICHARD LOHSE

CONCRETION I (THE COLORS YOU CAN’T SEE IN THIS IMAGE ARE YELLOW, RED, BLACK, AND WHITE), 1945-46

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NAUM GABÒ

LINEAR CONSTRUCTION, 1942-43

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BUCKMINSTER FULLER

PATENT DRAWING FOR A WORLD MAP PROJECTION BASED ON THE CUBOCTAHEDRON, 1946

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JOSEF ALBERS

TLALOC (MEXICAN RAIN GOD), 1944

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JOSEF ALBERS

ASTATIC, 1944

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JOSEF ALBERS

MULTIPLEX B, 1947

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JOSEF ALBERS 

BRICK WALL DETAIL, HARVARD UNIVERSITY, 1949-50

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JOSEF ALBERS

BENT BLACK A, 1940

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“CAMOUFLAGE MUST DECEIVE BOTH THE EYE AND THE CAMERA”, PANEL FROM THE EXHIBITION ‘CAMOUFLAGE FOR CIVILIAN DEFENSE’ AT THE MoMA, 1942

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LEGEND FOR THE SURVEY OF DAMAGED BUILDINGS DURING WWII / LEGENDE FÜR DIE SCHADENSAUFNAHME KRIEGSZERSTÖRTER GEBÄUDE WÄHREND DES 2. WELTKRIEGS, 1944

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WAR DAMAGE, KURFÜRSTENDAMM BERLIN, 1944

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ETIENNE BEÖTHY

IONIZATION IN SYCAMORE, 1949

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LUDWIG HILBERSHEIMER

BELT OF CITY AGGREGATES ALONG A RIVER, 1942    

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